In curating this magazine on poverty, I intentionally abstained from using specific costumes and instead opted to showcase real and live photographs. This decision was rooted in the desire to authentically depict the lived experiences of individuals and communities affected by poverty without resorting to artificial or staged representations.
By eschewing costumes, I aimed to capture the raw reality of poverty through the lens of everyday life. The absence of theatrical attire allowed for a more genuine portrayal, free from the constraints of embellishment or artistic interpretation.
Using only real photographs enabled me to present poverty in its unadulterated form, showcasing the authenticity and immediacy of the experiences depicted. Each image serves as a poignant testimony to the struggles, resilience, and humanity of those grappling with economic hardship.
In this approach, the photographs themselves become the most powerful costume, embodying the essence of poverty with unfiltered honesty. They serve as a visual conduit, inviting viewers to confront the stark realities of inequality and social injustice, prompting reflection and action.
By opting for live and real photographs over specific costumes, I sought to create a magazine that resonates on a visceral level, fostering empathy, understanding, and a renewed commitment to addressing the systemic issues perpetuating poverty.
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